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The kids at South Park Elementary are being punished for Cartman's failings in the physical education department. What will Cartman do when they all gang up on him?
"It depends," he smiled, "It depends on how bad they want me. You feel me?"First of all, if you're a man of Rourke's stature and you're claustrophobic... really? Take a damn Valium or something and suck it up. Second of all, if you're a man of Rourke's celebrity and you're complaining about losing a girl... really? Get another one! And clearly "it depends" really means "it depends on how much money they give me," and I say give it to him. He played Marv perfectly and I can't see anyone else fill those mitts.
Some time ago, Rourke had noted his reluctance to re-approach a part with such heavy make-up.
"I did [like the character]," he reiterated today, "but I'm claustrophobic, so the the hours of makeup -- You have to keep it on for about 13 or 14 hours a day. It's latex and glue and that stuff that gets my eyes all red..."
Rourke, who is famous for his candid interview comments, also recalled an anecdote from the first film's production that reminds him of another reason to resist prosthetics.
"I remember I picked up some chick at a bar in Texas one night and invited her to the set to have lunch at the lunch break," he grinned. "I couldn't take the s--t off. F--k it, I never saw her again!"
Last month it was announced that writer/producer pair David Katzenberg and Seth Grahame-Smith were working on a sequel to Tim Burton's 1988 comedy, Beetlejuice. Today, EW spoke with pair who say that they've already got Burton's blessing and that they wouldn't want to move forward if they didn't think that MichaelKeaton would be returning to the title role.
"When Warner Bros. came to us about it, we said the only way we'd do it if we got Tim [Burton's] blessing and involvement, and we got that," says Grahame-Smith, "and the star of the movie has to be Michael Keaton as Beetlejuice, and it's a true continuation 26 years later. Not just throwing him in as a cameo going, 'Hey, it's me. I endorse this movie.' We're not there yet, because we don't have a film to present to him."
While the original film spawned a lesser-known animated series, a sequel was planned in the early '90s with the title Beetlejuice Goes Hawaiian. Burton had planned to return as director, but the project failed to develop beyond an initial screenplay. It is currently unknown whether or not Katzenberg and Grahame-Smith's upcoming script will have any crossover with that original concept.
It's been seventeen years Dumb and Dumber was released (Yes, you are old! You're so old, just incredibly old, stop being so old), but a few months ago, Jim Carrey began floating the notion that he might be down for a super-belated sequel. Now, it looks like Dumb and Dumber 2 is becoming a reality: Deadline reports that writers have been hired to script the film, and Peter and Bobby Farrelly (who directed the original) hope to segue to it after finishing up work on The Three Stooges. But what if Lauren Holly holds out? What then? [Deadline]Also, from ComingSoon.net:
With plans for a sequel originally reported by ComingSoon.net earlier this year, Deadline now has word that another Dumb and Dumber film has hired the writing pair of Sean Anders and John Morris. ..... Anders and Morris are best known as the pair behind the comedy Sex Drive as well as the upcoming I Hate You, Dad.
Today we are pleased to announce that the 'dead' shall live as we proudly renew 'The Walking Dead' for a third season on AMC and, globally, with our terrific partners at Fox International Channels," said Charlie Collier, AMC's President. "We are thankful for everyone's contribution in front of and behind the camera as we continue to make 'The Walking Dead' a unique television experience. And, we are so proud as it continues to set viewership records around the world.
Actor turned producer Tom Hanks is now at work on his second HBO project, a half-hour comedy about college athletes to be titled Players, reports the Hollywood Reporter. This comes mere months after Hanks and his partner Gary Goetzman came onboard to produce HBO's adaptation of Neil Gaiman's 2001 novel American Gods. Now that's a partnership we can sign off on. [THR]
Fieri stopped showing up for scheduled shoots. He canceled voiceover sessions. [DDD Producer David] Page tried to herd his host, but Fieri wouldn't return the producer's calls.Read the full story here. David Page is kind of a douchebag himself, and we all know two douchebags can only get along for so long before something like this happens.
Then Food Network officials told Page they were taking the reins from him. Page remembers general manager Bob Tuschman saying Fieri had "demanded" it.
This May, Page sued the network for breach of contract. In August, the Food Network answered with a counterclaim alleging it was Page who breached the contract by "mistreating staff and others working on the series."
Now Page is lashing out at Guy Fieri in a no-holds-barred brawl that threatens to swallow the hit show and its star.
"Guy will say whatever he needs to say to prop up his image of Guy as a really nice guy," Page says. "Everyone has to be part of Team Fieri. Team Fieri didn't feel any such reciprocal obligation."
...
"You have to protect Guy from all of his poop jokes," Page says. "Anytime any woman mentioned 'cream,' Guy went into a sexual riff. When cutting the show, you had to tell the editors to watch Guy's eye line, because it's always on breasts."
Fieri also needed protection from homosexuals, or at least advance warning. Early in the show's run, Page got a phone call from Fieri, who'd just walked out of a restaurant in a huff.
"Guy had decided that the two men running the restaurant were life partners," Page remembers. "He said, 'You can't send me to talk to gay people without warning! Those people weird me out!'"
From then on, show researchers were required to note any indications of homosexuality detected during pre-interviews. (Fieri declined to comment for this story through his spokespeople.)
Former field producer Kari Kloster confirms that Fieri made the odd demand about gay guests, and says she witnessed the star become more controlling on set.
...
When the second book was commissioned, Fieri approached Page to ask for access to some of the show's research material. That led to an "uncomfortable discussion" over compensation, Page claims.
"They were demanding tremendous research from my people, and pictures, but they didn't want to pay for them," Page says. "Guy said to me: 'You know, it's true: Jews are cheap.'"